Yes, you absolutely can shoot 120 film in a 620 Brownie Hawkeye, but it requires some modification or adaptation, either to the film itself or the camera’s spool system. This guide details the methods, considerations, and best practices for breathing new life into your classic camera.
Understanding the 620 and 120 Film Formats
The first hurdle in successfully using modern 120 film in a Brownie Hawkeye lies in recognizing the key differences between 620 and 120 film. While the image area of both formats is identical, the spool designs are not. 620 film uses a smaller, thinner spool with a slightly different flange shape than the standard 120 spool. The Brownie Hawkeye, designed specifically for 620 film, has a spool chamber tailored to accommodate these smaller spools. Trying to force a standard 120 spool into the camera will likely damage the camera and could ruin your film.
Methods for Using 120 Film
Several methods exist for making 120 film compatible with your Brownie Hawkeye:
Respooling 120 Film onto 620 Spools
This is generally considered the safest and most reliable method. It involves carefully transferring the 120 film from its original spool onto a genuine 620 spool in complete darkness.
- The Darkroom/Dark Bag: Respooling must be done in absolute darkness to avoid exposing the film. A darkroom is ideal, but a light-tight dark bag can work as well.
- The Process: With practice, respooling becomes relatively straightforward. Place the 120 spool and an empty 620 spool inside your darkroom or dark bag. Feel around for the film and carefully begin transferring it onto the 620 spool, maintaining consistent tension. Secure the film end to the 620 spool’s slot and continue winding until all the film has been transferred.
- Acquiring 620 Spools: Finding empty 620 spools can be challenging, but online marketplaces and antique stores are your best bets. Keep them after processing your film so you can respool again.
Modifying 120 Spools for the Hawkeye
This method involves physically altering the 120 spool to fit within the Hawkeye’s spool chamber. This can be risky, as improper modification can still lead to camera damage or film jams.
- Sanding Down the Flanges: Carefully sanding down the flanges (the circular edges) of the 120 spool can reduce its diameter enough to fit in the Hawkeye. However, this needs to be done evenly and cautiously to avoid warping or damaging the spool.
- Testing the Fit: Continuously test the fit of the modified spool within the camera to ensure smooth operation. Avoid excessive force.
- Potential Issues: Modifying the spool weakens it, making it more prone to breaking or splitting. Loose debris from sanding can also contaminate the camera’s interior, potentially scratching the film.
Modifying the Hawkeye’s Spool Chamber
This is generally not recommended as it involves altering the camera itself and can irreversibly damage it, especially if you’re not experienced in camera repair. However, it is an option in some cases.
- Enlarging the Spool Chamber: This involves carefully filing or grinding away material from the Hawkeye’s spool chamber to accommodate the slightly larger 120 spool.
- Permanent Modification: Be aware that this modification is permanent, and the camera will no longer be able to use 620 spools without further adaptation.
- Risk of Damage: This method carries a high risk of damaging the camera’s internal mechanisms or creating light leaks.
Camera Settings and Usage
Even with the film issue resolved, understanding the Brownie Hawkeye’s inherent limitations is crucial for achieving good results.
Fixed Focus and Aperture
The Hawkeye has a fixed focus lens and a fixed aperture. This means everything beyond a certain distance (typically around 8-10 feet) will be reasonably sharp, but there is no way to adjust the depth of field.
Shutter Speed
The shutter speed is also fixed, typically around 1/40th to 1/50th of a second. This means the Hawkeye works best in bright, outdoor conditions.
Film Choice
Choose a film with an appropriate ISO for the camera’s limitations. ISO 100 or 400 film generally works well in most lighting conditions.
FAQs
FAQ 1: Can I use plastic 120 spools instead of metal ones?
Generally, metal spools are preferred for respooling because they are more durable and less prone to warping. Plastic spools can be used, but handle them carefully to avoid damage. If modifying the spool, metal spools hold up better to sanding.
FAQ 2: What if I don’t have a darkroom or dark bag?
If you lack a dedicated darkroom or dark bag, you’ll need to create one. A completely light-sealed closet or room can work if carefully checked for any light leaks. Seal any cracks or openings with tape and test the space for light sensitivity before working with your film.
FAQ 3: How can I tell if my respooling was successful?
After respooling, visually inspect the 620 spool (in normal light, of course). The film should be wound evenly and tightly, without any kinks or loose sections. Ensure the film is properly secured to the spool’s core.
FAQ 4: Where can I buy empty 620 spools?
Check online marketplaces like eBay, Etsy, and specialized photography forums. Antique stores and camera collectors are also potential sources. Local camera shops might occasionally have them in stock.
FAQ 5: What kind of film should I use in my Brownie Hawkeye?
ISO 100 or 400 film is a good starting point. In bright sunlight, ISO 100 will work well, while ISO 400 will be more versatile in varied lighting conditions. Experiment to see what you prefer.
FAQ 6: What happens if I try to force a 120 spool into the Hawkeye?
Forcing a 120 spool can damage the camera’s internal mechanisms, potentially breaking plastic parts or bending metal components. It can also damage the film, leading to light leaks or scratches. Do not force the spool.
FAQ 7: How do I load the film once it’s on a 620 spool?
Loading the film is similar to any other roll film camera. Insert the full spool into the supply side, thread the film leader onto the take-up spool, and advance the film until the start mark on the backing paper aligns with the indicator window on the camera’s back.
FAQ 8: How do I advance the film between shots?
The Brownie Hawkeye uses a simple knob or lever to advance the film. Advance the film until the next frame number appears in the red window on the back of the camera. Be consistent with your winding to avoid overlapping frames.
FAQ 9: How do I know when I’ve reached the end of the roll?
Continue advancing the film after the last numbered frame until the backing paper is completely wound onto the take-up spool. You will feel increased resistance as you wind the film to the end.
FAQ 10: How do I unload the film after shooting?
In a dimly lit area (but not complete darkness, as you’re not respooling), open the camera back and carefully remove the take-up spool. Seal the exposed end of the roll with tape to prevent light leaks.
FAQ 11: Can I get my 620 film developed at any photo lab?
Most professional photo labs can develop 120 film, but you should inquire beforehand if they can handle respooled film or if they prefer you to rewind it onto a 120 spool after shooting. Make sure to clearly label the film as respooled 120.
FAQ 12: Are there any alternatives to using 120 film in my Hawkeye?
While uncommon, some individuals have experimented with cutting down 120 film to fit 620 spools more precisely, although this process is incredibly delicate and not typically recommended due to the high risk of damage and difficulty. Sticking to respooling or careful spool modification is generally preferred.
Conclusion
Shooting 120 film in a 620 Brownie Hawkeye presents a rewarding challenge for photographers seeking to explore vintage cameras and film photography. By understanding the nuances of film formats and employing careful techniques, you can unlock the unique charm and character of this iconic camera. Remember to prioritize safety, patience, and experimentation to achieve the best results and capture timeless images.