The title of “longest movie ever made” firmly belongs to Ambiance, a Swedish experimental film created by Anders Weberg. Its staggering runtime clocks in at 720 hours (30 days). Beyond Ambiance, however, the landscape of extremely long films is varied and fascinating, blending experimental art, avant-garde cinema, and even deliberate acts of endurance filmmaking.
The Reign of Ambiance: A Visual Marathon
Anders Weberg’s Ambiance is more than just a long movie; it’s an artistic statement on memory, time, and the ephemeral nature of existence. The film, a non-narrative abstract piece, was streamed online in its entirety in 2020 before being destroyed, as per Weberg’s original intention. This act of planned obsolescence adds another layer to its mystique. Ambiance wasn’t designed for theatrical release, but rather as an experience, a testament to the sheer potential of cinema to occupy and manipulate time.
While many films strive for concise storytelling, Ambiance deliberately rejects this notion. It’s an anti-narrative, challenging viewers to reconsider their expectations of cinema. Its existence raises significant questions about the purpose and definition of a “movie” in the digital age. Was it a movie? Was it performance art? The answer, perhaps, lies in the eye (and patience) of the beholder.
Beyond Ambiance: Contenders for the Crown
While Ambiance holds the undisputed record for sheer length, several other films deserve recognition for their monumental runtimes. Many of these push the boundaries of cinematic art and redefine the viewing experience.
Matrjoschka (2006): A 95-Hour Dutch Saga
This Dutch film, directed by Mels van Zutphen, offers a more traditional, albeit incredibly elongated, narrative experience. Matrjoschka tells the story of a man reflecting on his life, presented through a series of interconnected episodes. While significantly shorter than Ambiance, its 95-hour duration places it firmly in the realm of “extremely long films.” It was designed for a gallery setting, meant to be experienced over multiple days.
The Cure for Insomnia (1987): An Experimental 87-Hour Venture
Another notable contender is The Cure for Insomnia, directed by John Henry Timmis IV. This film, lasting 87 hours, primarily consists of the artist L.D. Groban reading his 4,080-page poem. Interspersed throughout are scenes of heavy metal and adult content, creating a bizarre and surreal viewing experience. Its intention was less about narrative cohesion and more about exploring the limits of attention and endurance.
Modern Times Forever (Stora Enso Building, Helsinki) (2011): A Conceptual 240-Hour Time Lapse
Directed by the Finnish art collective Superflex, Modern Times Forever envisions the future decay of the Stora Enso building in Helsinki. This 240-hour (10-day) time-lapse is a commentary on the environmental impact of modern construction and the relentless passage of time. It’s a challenging watch, but a powerful meditation on our relationship with the built environment.
Why So Long? The Motivations Behind Extreme Runtimes
The creation of exceptionally long films isn’t simply about setting records. Often, it’s driven by deeper artistic, philosophical, or even political motivations.
Artistic Expression and Experimentation
For many filmmakers, extreme runtimes are a way to challenge conventional cinematic norms and explore the possibilities of the medium. They experiment with pacing, narrative structure, and the very definition of what a movie can be. These films are often intended to provoke thought and discussion, pushing viewers to reconsider their relationship with time and cinema.
Endurance and the Limits of Human Perception
Some filmmakers aim to test the limits of human endurance, both for themselves and for their audience. They create films that demand commitment and challenge viewers to stay engaged for extended periods. These films can be seen as a form of performance art, where the act of watching becomes an integral part of the experience.
Commentary on Modern Life and Society
Long films can also be used to comment on the fast-paced nature of modern life and the overwhelming amount of information we consume. By slowing down the viewing experience, these films encourage viewers to be more mindful and present. They can also be used to explore complex social and political issues in a more nuanced and in-depth way.
FAQs: Unpacking the World of Long Movies
Here are some frequently asked questions about the world of incredibly long films, offering further insight into this unique area of cinema.
1. What is the definition of a “film” when considering these extreme runtimes?
The definition becomes blurred. Does length inherently disqualify something from being a “film”? In most instances, yes, but in the context of experimental art, the lines are intentionally blurred. The intention of the artist often plays a crucial role in determining whether something is considered a film or another form of art.
2. Are these films commercially available?
Generally no. Ambiance, for example, was never intended for commercial release. Many of these films exist primarily as art installations or online streams. Securing rights or physical copies is often impossible.
3. How can someone actually watch a movie that lasts for days?
The viewing experience is rarely continuous. These films are typically intended to be experienced in segments, often in a gallery setting where viewers can come and go as they please. They are not designed for traditional binge-watching.
4. What kind of equipment is needed to screen a film of this length?
For digital files, a reliable computer with ample storage and a robust projection system are essential. Older films on physical media would require specialized equipment to handle the long playing time without interruption. Reliability is key to prevent technical issues during a multi-day screening.
5. How are these films financed?
Funding often comes from art grants, private donations, or self-funding by the filmmakers. These projects are rarely commercially viable, so traditional film financing models are not applicable.
6. What are the challenges of making such a long film?
The challenges are immense, ranging from the logistical difficulties of filming for extended periods to the creative challenge of maintaining audience engagement. Maintaining consistency in quality and vision over hundreds of hours is a significant hurdle.
7. Do these films have traditional narratives?
Often not. Many of these films are experimental and prioritize atmosphere, visual imagery, or abstract concepts over traditional storytelling. Expect unconventional structures and a focus on sensory experience.
8. Are there any shorter “long films” that are more accessible to viewers?
Yes, there are several films with runtimes in the 5-10 hour range that are more manageable. Shoah (1985), a documentary about the Holocaust, is a powerful and important film that clocks in at over 9 hours. Sergei Bondarchuk’s War and Peace (1966-67) is another cinematic epic worth considering.
9. What is the purpose of making a film that is practically unwatchable in one sitting?
The purpose varies, but often it’s about challenging perceptions of time, exploring the limits of human endurance, or making a profound artistic statement. The act of creation and the discussion the film generates are often more important than its widespread consumption.
10. Has anyone ever watched Ambiance in its entirety?
It is highly unlikely. Given its restricted online streaming release and its sheer length, it’s doubtful that anyone watched Ambiance from beginning to end without breaks.
11. Do these films have any impact on mainstream cinema?
Indirectly, yes. They push the boundaries of what’s possible in filmmaking and inspire other filmmakers to think outside the box. Their influence can be seen in the increased acceptance of longer runtimes and more experimental storytelling techniques.
12. Where can I learn more about experimental and avant-garde cinema?
Many resources are available online and in libraries, including film journals, academic articles, and websites dedicated to experimental film. Look for film festivals specializing in avant-garde cinema for screenings and discussions.
The world of extremely long films is a testament to the power of cinema to challenge, provoke, and redefine our understanding of time and art. While not for the faint of heart, these films offer a unique and unforgettable viewing experience for those willing to embark on the journey.