The decision to rent or buy Bordwell, Thompson, and Smith’s “A History of Narrative Film, Fifth Edition” hinges primarily on usage frequency and study style; students anticipating repeated engagement with the text throughout their film studies journey, or those who prefer physical copies for annotation and archival purposes, will benefit most from purchasing the book, while those needing it solely for a single course or project may find renting the most economical option. Beyond cost, access, annotations, and long-term value contribute significantly to the optimal choice.
Delving into the World of Narrative Film History
“A History of Narrative Film” isn’t just a textbook; it’s a comprehensive exploration of cinematic storytelling’s evolution. From the earliest experiments to contemporary blockbusters, the book dissects narrative strategies, stylistic innovations, and the cultural contexts that have shaped the medium. This fifth edition builds upon previous versions, incorporating updated scholarship, revised analyses of key films, and a greater emphasis on global cinema trends. The sheer volume of information within its pages makes considering the most efficient way to access this wealth of knowledge crucial for any serious film student or enthusiast.
The Value of Owning a Copy
Owning “A History of Narrative Film” offers unparalleled flexibility. Physical copies allow for direct annotation, enabling students to highlight key passages, jot down notes, and personalize the learning experience. This active engagement fosters deeper comprehension and retention. Furthermore, a purchased book becomes a permanent resource, invaluable for future research, reference, or simply revisiting favorite chapters. Consider it an investment in your film education.
The Appeal of Renting
Renting, conversely, offers a cost-effective solution for students who require the book for a limited period. This is particularly attractive for courses where the material is only covered for a portion of the semester or when financial constraints are a primary concern. Digital rentals provide immediate access and eliminate the need to store a bulky textbook after the course concludes. However, remember that rental periods are typically limited, and access vanishes once the rental expires.
Weighing the Factors: Cost, Access, and Use
Ultimately, the choice boils down to a careful assessment of individual needs and circumstances. Consider the following factors:
- Cost: Compare the rental price to the purchase price (new and used) across different platforms.
- Usage: Estimate how frequently you will need to access the book and for how long.
- Learning Style: Determine whether you prefer physical copies for annotation and highlighting or if digital access suffices.
- Long-Term Value: Consider whether the book will be a valuable resource for future studies or research.
- Annotation Needs: How important is it for you to be able to physically annotate the text?
- Accessibility: Are you comfortable reading a textbook primarily on a screen?
- Resale Value (if purchasing): While used copies can be resold, the return may be minimal.
- Digital vs. Physical Preference: Do you prefer the tactile experience of a physical book or the convenience of digital access?
By carefully weighing these factors, you can make an informed decision that aligns with your individual needs and maximizes your learning experience.
Frequently Asked Questions (FAQs)
Here are answers to some common questions about accessing “A History of Narrative Film, Fifth Edition”:
FAQ 1: Where can I rent or buy the book?
“A History of Narrative Film, Fifth Edition” is available for rent or purchase from a variety of sources, including:
- Amazon: Offers both print and digital (Kindle) versions for rent or purchase.
- VitalSource: Primarily focuses on digital textbook rentals and purchases.
- Chegg: Provides textbook rental services.
- Campus Bookstores: Often offer both rental and purchase options, though prices may be higher.
- Abebooks: Good source for used copies.
FAQ 2: Is there a significant price difference between renting and buying?
Yes, typically renting is considerably cheaper than buying, especially for the duration of a single semester. However, the cumulative cost of multiple rentals over several semesters might eventually exceed the price of a single purchase.
FAQ 3: Are there different rental periods available?
Yes, rental periods typically range from a few weeks to a full semester. Choose the rental period that best aligns with your course syllabus and anticipated usage. Be sure to note the exact end date of your rental to avoid losing access unexpectedly.
FAQ 4: Does the rental version include all the content of the purchased version?
Generally, yes. Rental versions should include the complete text, images, and other features of the purchased version. However, it’s always wise to confirm this before renting, especially with digital versions. Some supplemental materials (like online quizzes or videos) might not be included.
FAQ 5: What is the ISBN of “A History of Narrative Film, Fifth Edition”?
The ISBN is 978-0393918637. Always verify the ISBN before renting or buying to ensure you are acquiring the correct edition.
FAQ 6: Is there an eBook version available?
Yes, “A History of Narrative Film, Fifth Edition” is available as an eBook, typically through platforms like Amazon Kindle, VitalSource, and CourseSmart (now Cengage Unlimited eTextbooks).
FAQ 7: Can I annotate the digital rental version?
This depends on the platform. Some eBook readers allow for highlighting and note-taking within the text, while others may not. Check the platform’s features before renting if annotation is important to you. Generally, annotation functionality on rental versions is more limited than on purchased digital copies.
FAQ 8: What if I decide I want to buy the book after renting it?
Some platforms may offer a credit towards the purchase of the book if you decide to buy it after renting. However, this is not a standard offering, so check the platform’s policies beforehand.
FAQ 9: Are there any supplementary materials available with the book (e.g., study guides, online resources)?
The book itself is the primary resource. However, some instructors may provide supplementary materials. Check with your professor or the course website for any additional resources that might be available. The publisher’s website (Norton) often provides supporting material as well.
FAQ 10: What are the key updates in the Fifth Edition compared to previous editions?
The Fifth Edition features updated scholarship on film theory, expanded coverage of global cinema (particularly from Asia and Africa), and revised analyses of key films to reflect contemporary perspectives. The book also incorporates more discussion of digital filmmaking and its impact on narrative techniques.
FAQ 11: Is it possible to find a used copy of the Fifth Edition?
Yes, used copies can often be found on sites like Abebooks, Amazon, and eBay. Be sure to check the condition of the book before purchasing a used copy.
FAQ 12: What is the best way to decide whether to rent or buy this book?
Consider your budget, how often you anticipate using the book, and your preferred learning style. If you plan to reference the book frequently throughout your film studies and prefer the tactile experience of a physical book with the ability to annotate, purchasing is the better option. If you need the book only for a specific course and are on a budget, renting is likely the more economical choice.