The film The Two Popes, starring Anthony Hopkins as Pope Benedict XVI and Jonathan Pryce as Cardinal Jorge Mario Bergoglio (later Pope Francis), is inspired by real events and relationships, but takes significant dramatic liberties. While the central idea – a series of meetings between a retiring Pope and his potential successor – is rooted in reality, much of the dialogue and specific scenes are fictionalized for narrative purposes.
The Papal Transition: Fact vs. Fiction
The film portrays a pivotal moment in the history of the Catholic Church: the unprecedented resignation of Pope Benedict XVI in 2013 and the subsequent election of Pope Francis. However, it’s crucial to distinguish between the known facts and the artistic interpretations employed by the filmmakers.
The reality is that Cardinal Bergoglio was indeed a frontrunner for the papacy in the 2005 conclave that ultimately elected Benedict XVI. He was also a prominent figure in the Argentinian Church and known for his progressive views and commitment to social justice. Pope Benedict XVI did announce his resignation, citing health concerns, marking the first papal resignation in nearly 600 years. And Jorge Mario Bergoglio was indeed elected as his successor, taking the name Francis.
Where the film departs from factual accuracy is in the content and context of the conversations between the two men. While they likely did discuss the future of the Church and their differing viewpoints, the specific dialogue and personal revelations depicted in the film are largely the invention of the screenwriter, Anthony McCarten. The film is based on McCarten’s play of the same name, which allows for dramatic license inherent in theatrical adaptations.
Therefore, it’s more accurate to describe The Two Popes as a fictionalized account based on real historical figures and events, rather than a purely factual documentary. The film uses the framework of the papal transition to explore broader themes of faith, doubt, tradition, and modernity within the Catholic Church.
Delving Deeper: Frequently Asked Questions
FAQ 1: Did Pope Benedict XVI and Cardinal Bergoglio actually meet in Castel Gandolfo before the resignation?
There’s no official record of a private, extended meeting in Castel Gandolfo, as depicted in the film, prior to Pope Benedict XVI’s announcement. While they undoubtedly interacted on numerous occasions as part of their duties within the Vatican, the film’s narrative focuses on a fictionalized, in-depth encounter. The filmmakers have openly acknowledged that the conversations are imagined.
FAQ 2: How accurate is the portrayal of Cardinal Bergoglio’s past in Argentina?
The film touches upon Bergoglio’s controversial role during Argentina’s “Dirty War” in the 1970s. While the film presents a somewhat sympathetic view of his actions (or inaction), this period of his life remains a subject of intense debate and scrutiny. Critics argue that he didn’t do enough to protect priests and others persecuted by the military junta. The film attempts to grapple with this complex issue but is ultimately a dramatic interpretation.
FAQ 3: Did Pope Benedict XVI really confess his doubts and struggles to Cardinal Bergoglio?
It is highly unlikely that Pope Benedict XVI would have shared such personal and potentially damaging confessions with a Cardinal, even one considered a potential successor. Such admissions would be extremely rare within the hierarchical structure of the Church. The film uses this as a dramatic device to explore Benedict’s internal conflict and his decision to resign.
FAQ 4: How much of the film’s dialogue is based on actual quotes or writings of the Popes?
Very little. The vast majority of the dialogue is entirely fictionalized. The screenwriter drew inspiration from the known philosophies and public statements of both men, but the specific words and interactions are products of his imagination.
FAQ 5: Was Cardinal Bergoglio really considering retiring before being elected Pope?
The film suggests that Bergoglio was seeking permission to retire due to his age and disillusionment. While it’s true that Bergoglio had reached the age of retirement for archbishops (75), and may have expressed some desire to step down, it’s difficult to verify the specific details presented in the film. It serves the narrative to portray him as reluctant and perhaps even unworthy of the papacy.
FAQ 6: How did the Vatican react to the release of The Two Popes?
The Vatican has not officially endorsed or condemned the film. Some Vatican officials have reportedly seen the film and found it engaging, while others have raised concerns about its historical inaccuracies. The lack of an official statement suggests a desire to avoid legitimizing either praise or criticism.
FAQ 7: Does the film accurately depict the political climate within the Vatican at the time?
The film captures some of the underlying tensions and ideological divisions within the Vatican during Benedict XVI’s papacy, particularly the conflict between conservative and progressive factions. However, it simplifies and dramatizes these complex dynamics for narrative clarity.
FAQ 8: What sources did the filmmakers use to research the film?
The filmmakers reportedly relied on a combination of sources, including news articles, biographies of the two Popes, and interviews with Vatican insiders. However, it’s important to remember that the film is ultimately based on a play, not a meticulously researched historical document.
FAQ 9: What is the main purpose of The Two Popes: to inform or to entertain?
The primary purpose of The Two Popes is undoubtedly to entertain. While it touches upon real historical events and figures, it prioritizes dramatic storytelling and character development over strict adherence to factual accuracy. It’s a character study wrapped in the trappings of a political drama.
FAQ 10: What are the key themes explored in the film?
The film explores several key themes, including: the tension between tradition and modernity in the Catholic Church, the nature of faith and doubt, the burden of leadership, the importance of forgiveness and reconciliation, and the challenges of navigating a changing world. These themes are universal and resonate with audiences regardless of their religious beliefs.
FAQ 11: Is The Two Popes a biased portrayal of either Pope Benedict XVI or Pope Francis?
The film generally presents both Popes in a sympathetic light, although it arguably favors Pope Francis’s more progressive views. However, it also acknowledges Benedict XVI’s intellectual brilliance and his genuine concern for the Church. Ultimately, the film aims to humanize both figures and portray them as complex individuals grappling with difficult decisions.
FAQ 12: Should viewers take The Two Popes as an accurate historical account?
No. Viewers should approach The Two Popes as a dramatic interpretation inspired by real events, not as a definitive historical record. It’s a compelling and thought-provoking film, but it takes significant liberties with the truth for the sake of storytelling. Critical viewing is essential. It is best enjoyed as a fictional exploration of faith and power within the Catholic Church, rather than a strict biographical or historical account.