The short answer is no, not without modification. While both 120 and 620 film share the same width, the critical difference lies in the spool design, preventing 620 film from readily fitting into a 120 camera. This article delves into the nuances of this incompatibility, exploring potential workarounds and offering practical advice for photographers.
Understanding the 120 vs. 620 Film Format
The question of using 620 film in a 120 camera is a common one, particularly among photographers interested in vintage equipment and archival film stocks. To understand the issue, we must first differentiate between the two formats. Both 120 and 620 film are medium format films nominally measuring 6 cm wide. The images they produce can range in size, depending on the camera, from 6×4.5cm to 6x9cm.
The core distinction is in the spool upon which the film is wound. 120 film uses a spool with a larger diameter and a thicker flange (the side of the spool). 620 film, designed to allow more compact camera designs, uses a spool with a smaller diameter and thinner flanges. This seemingly minor difference has significant implications for camera compatibility.
The Spool Size Matters
The 120 spool is typically made of metal or plastic and is designed to fit snugly into the designated film chambers of a 120 camera. The larger flange ensures proper film transport and prevents light leaks. The 620 spool, being smaller and having thinner flanges, can’t properly engage with the film transport mechanism in a 120 camera. Trying to force a 620 spool into a 120 camera will likely damage the camera.
The Origin of 620 Film
The 620 film format was introduced by Kodak in the 1930s as a way to miniaturize cameras. It’s essentially a respooled version of 120 film, intended for smaller, more streamlined camera designs. While 620 cameras were popular for a period, the 120 format ultimately became the dominant standard. Now, 620 film is no longer in production, though it can be found in existing stock or by respooling 120 film onto 620 spools.
Workarounds and Solutions
While directly using 620 film in a 120 camera is not possible, there are a few workarounds that photographers employ.
Respooling 120 Film
The most common and reliable method is to respool 120 film onto a 620 spool in a darkroom or film changing bag. This involves transferring the film from the 120 spool onto the 620 spool under complete darkness. This process requires practice and care to avoid damaging the film.
Trimming the 120 Spool
Another method, though less recommended, involves trimming the flanges of the 120 spool to match the dimensions of a 620 spool. This requires precise cutting and can weaken the spool, potentially leading to film transport issues. This method is only suitable for plastic spools and carries a risk of damaging the film or the camera.
Modifying the Camera (Rare)
In extremely rare cases, some photographers have attempted to modify the 120 camera to accept 620 spools. This is a complex and irreversible process that requires specialized knowledge and tools. It’s generally not advisable unless you are an experienced camera technician.
Frequently Asked Questions (FAQs)
Here are some frequently asked questions about using 620 film and its compatibility with 120 cameras.
FAQ 1: Can I force a 620 spool into my 120 camera?
No, you should never force a 620 spool into a 120 camera. Doing so can damage the camera’s film transport mechanism and potentially ruin both the camera and the film.
FAQ 2: Is it safe to trim the flanges of a 120 spool to make it fit?
Trimming the flanges is possible, but it’s generally not recommended. It weakens the spool and can cause film transport problems. If you choose to trim, do so very carefully with a sharp blade and ensure the cut is clean and even.
FAQ 3: Can I use an empty 620 spool to take up the 120 film in my camera?
While technically possible if the take-up spool fits, it’s not always reliable. Some 120 cameras are designed with mechanisms that rely on the larger 120 spool dimensions. Using a 620 spool might lead to uneven film winding or potential damage to the camera.
FAQ 4: Are there any adapters that allow me to use 620 spools in a 120 camera?
No, there are no commercially available adapters that directly allow 620 spools to be used in a 120 camera. The dimensional differences make such an adapter impractical and unreliable.
FAQ 5: Is 620 film still being manufactured?
No, 620 film is no longer in production. The only way to acquire 620 film is to find existing stock or respool 120 film.
FAQ 6: What are the risks of respooling 120 film onto a 620 spool?
The primary risk of respooling is accidental exposure of the film to light. This can result in fogging or completely ruining the film. It’s crucial to perform the respooling in complete darkness. Additionally, improper handling can cause scratches or kinks in the film.
FAQ 7: Do I need special equipment to respool film?
While a film changing bag or darkroom is essential, you don’t need highly specialized equipment. A simple film changing bag and a pair of scissors are sufficient. Some photographers use a film respooling tool to streamline the process, but it’s not necessary.
FAQ 8: How can I identify a 620 spool versus a 120 spool?
620 spools are noticeably smaller in diameter and have thinner flanges compared to 120 spools. The core of the 620 spool is typically made of metal. A visual comparison is usually sufficient to distinguish between the two.
FAQ 9: Is it worth the effort to use 620 film if I have a 120 camera?
This depends on your specific needs and resources. If you have access to a rare or desirable 620 camera, respooling is worthwhile. However, if you only have a 120 camera, it’s generally more convenient and practical to stick with 120 film.
FAQ 10: Can I damage my camera by using improperly respooled film?
Yes, improperly respooled film can potentially damage your camera. Uneven winding, kinks, or film fragments can interfere with the film transport mechanism and cause malfunctions.
FAQ 11: What are the alternatives to using 620 film if I want a vintage look?
If you’re seeking a vintage aesthetic, consider using readily available 120 films with classic emulsion characteristics or employing digital post-processing techniques to mimic the look of older film stocks. Alternatively, find a good working 120 vintage camera and shoot with 120 film.
FAQ 12: Where can I find information on how to respool 120 film onto 620 spools?
Numerous online resources, including YouTube tutorials and photography forums, provide detailed instructions and tips on respooling film. Searching for “respooling 120 film onto 620 spool” will yield a wealth of helpful information.
Conclusion
While directly shooting 620 film in a 120 camera is impossible due to spool size discrepancies, resourceful photographers can overcome this limitation through respooling techniques. However, careful consideration and meticulous execution are crucial to avoid damaging the film or the camera. By understanding the differences between the two formats and following the recommended guidelines, photographers can successfully navigate the challenges of using 620 film in a world dominated by the 120 standard, preserving the legacy of vintage cameras and film stocks.